fasion

#blackout friday

picture it. it’s black friday 2003, and wal-mart has dvd players on sale for $20. these were the pre-netflix days so a dvd player priced under $75 was a huge steal.  like dedicated shoppers across america, i woke up at dawn to rush my local wal-mart.

all hell broke loose when somebody’s uncle jumped on a stack of boxes and started throwing dvd players to nearby customers. i caught one like odell beckham jr. and ran for my life. you would have thought i was carrying baby jesus.

fast forward to 2015. not only do i try to abstain from shopping at wal-mart due to it’s anti-worker practices, but i’m also working hard to align my spending with my principles. with the murders of so many black men, women and children, i’m in no mood to celebrate a capitalist system that devalues black life.

this holiday season, my mission is to support black-owned businesses who deserve love year round. on friday morning, i’ll be shopping online from the comfort of my bed while eating leftover sweet potato pie.

clothing:

  1. nubian hueman
  2. ekineyo
  3. dopeciety
  4. nubian skin
  5. gloss rags
  6. nomad yard collectiv (dc area)

accessories

  1. peace images jewelry
  2. venus visuals
  3. rachel stewart jewelry
  4. lost queens

makeup

  1. coloured raine
  2. ginger + liz
  3. black up cosmetics

skin & haircare

  1. pooka pure & simple
  2. oyin handmade
  3. curlkit
  4. qhemet biologics

art

  1. andrea pippins
  2. thepairabirds

good reads & writes

  1. salt by nayirrah waheed
  2. teaching gold mah how to heal herself  by bilphena yahwon
  3. shapeshifters by aimee meredith cox
  4. vagabroad journals
  5. effie’s paper

health & well being

  1. little urban tea
  2. afro-vegan cookbook
  3. the spice suite (dc area)

check out quirky brown love for a list of over 200 black-owned businesses.

the politics of being transracial & light skinned #racheltaughtus

RDat first, i laughed at rachel dolezal.  i’ve witnessed blackness get colonized so many times until i immediately found her blackface antics more pathetic than anything. however, after she sat down for an interview with melissa harris perry and refused to answer any question directly, i’d had enough — my giggles and indifference turned to anger.

what disturbs me about dolezal’s actions is not only the performative aspect of her self-proclaimed black identity or the hate crimes that some say she falsely claimed to be the recipient of, but the fact that she conveniently left one privileged position for another.  when presenting as a white woman she leveraged the resources attributed to her whiteness, and as a lightskinned black women, she could leverage the resources attributed to having light skin. whether it was the race or gender hierarchy, dolezal always found herself on top.

for dark-skinned people of color, passing is not an option.  race marginalizes us the easiest, acting as the visible embodiment of past and present oppression.  beyond skin color is the complicated history around our hair — black women’s beauty has been tied to the tightnRachel_Dolezal_zpswhmev7y4ess of our curls since slavery. dolezal never had an authentic experience with this very painful narrative, yet told melissa harris perry that her hair journey has been “interesting,” claiming:

it also felt like an affirmation of black is beautiful, you know? because for so many centuries, you know, there’s been … the relaxers and the long weaves and the skin bleaching and all that fallout of psychological disorientation and certainly trauma came.

as if adorning her hair like a black woman’s is a tribute to blackness, she even claimed to have become a hairstylist to help black children feel beautiful. guess what rachel, we don’t need you to pretend to be black to make women who were born black feel better about their blackness. that’s called cultural appropriation, and it actually has the opposite effect.

in fact, dolezal’s egotistical analysis around her hair, adopting her younger siblings and activism have all given the white savior complex a new meaning.

whether led by curiosity, adoration or bad intentions, rachel dolezal made a conscious decision to maneuver through spaces focused on black empowerment as a lightskinned black woman. the privilege to choose not only one’s race, but color is power that most racial minorities will never experience. in the face of constant white terror and efforts to democratize standards of beauty, her blackface performance is not only exploitative, it’s despicable.